Monday, 26 May 2008

Stripping In The Blue Light District

The Ibanez body is quite a dark brown color. I thought it was a solid paint finish for many years, but if you take a fresh look there is definitely a decent bit of woodgrain going on underneath a heavy lacquer.

The bass is a lawsuit model dating from the mid-seventies and has had some remedial work carried out already. The original Gibson three-post style bridge was replaced (quite rightly) and a thumbrest was ditched. The holes left were filled with wooden plugs and under the dark lacquer the repair work was practically invisible. The bizarre shaped cutout that looks ideal for storing ice-lollies was hidden away under a scratchplate.







Half way through the paint stripping and Chewie & me are wondering if perhaps we have been a little bit hasty. It is looking quite rough now. Talking about different new paint finishes keeps us going...



Once the paint stripper has done its chemical nastiness, we attacked the surface with sandpaper. It was like trying to sand glass. At this stage other uses for the body were found, such as the latest in guitar-inspired lingerie...






It took power tools and some good old fashioned grunt to shift whatever was still clinging to the wood, but evetually the mist started to clear. The paintjob had been hiding quite a nice veneer. The body could now be seen properly and was constructed from five layers of differing thickness hardwood (plus two [ash?] veneers), with the grain direction changed on alternate layers. With the contouring on the body these layers show up as go-faster-stripes. When the hardware gets bolted back on, this is really going to look smart.





Back in the land of fboard lights, the plastic dots have been shaped using 6mm and 8mm formers. The dots have been glued into the board and here are the results:







Funny how turning the lights on makes the wood get darker...

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